February 9, 2011

KEEP YOUR EYES on the ROAD…………..

I am on my way to Vasco after successfully conducting a camp for students at Bondla Wildlife Sanctuary. 85 students have participated in the camp with 10 volunteers imparting knowledge on various aspects of wildlife. As I drive and ponder over the last four days, there are many moments to choose from, but the most vivid of them all is the pair of mating Tamil Tree-Brown (Lethe dryperis) butterflies crushed under the wheels of a vehicle while still attached to each other. That it happened in the middle of a wildlife sanctuary, a place where the right of way belongs to the denizens of the forest, is further disturbing.

I cross the BITS Goa campus along the airport road and see another road kill further ahead, this time, what looks like a dog. That is common I say to myself as I pass the dead dog by the road side with a pool of dried blood by its head and some coagulated around the nostril. After going beyond, I wonder if I actually saw a dog or was it something else. Parking ahead I walk back only see my worst fears becoming true, it’s a female Jackal (Canis aureus indicus) hit by, I am sure, an over-speeding vehicle. That the individual is a suckling female, evident from her enlarged tits, adds to my disgust. This one accidental death, means slow but sure death to the pups housed somewhere in a den of hunger or predation.

Female Jackal on the Airport Road

Road kills of wildlife are a common sight on Goan roads, especially snakes in the monsoons, birds which fly low, civet cats and the occasional leopard. Frogs and snakes get “butchered” in the rains. I use the word butchered with deliberate emphasis since they actually die in hundreds. Low flying birds like the Greater Crow-pheasant or Coucal (Centropus sinensis), the Bulbuls also meet this fate. I & Pankaj Lad reported the Slaty-legged Banded Crake (Rallina eurizonoides) as a new record for the State of Goa to a Journal and the paper is under review. That the proof of its presence is in the form of a dead specimen found on the road is not a very pleasing fact. I shudder at the thought of the fate of these animals after the proposed road widening in the State.

The picture says it all

That the larger mammals and birds might suddenly get on to the road and get hit before the vehicle can be controlled is understandable and can be excused but not over-speeding. Over-speeding is what kills. An animal colliding with a slow moving vehicle can get hurt but need not get killed. I do drive fast at times but have on many occasions sighted animals further on the road giving me enough time to slow down or stop. I have lost count of the number of occasions when I have alighted from the vehicle to pick up a snake and release it safely by the road side. Also animal behavior gives away its intents. One needs to be careful when a dog is behaving fidgety…..It is sure to cross the road. A Palm Civet (Paradoxurus hermaphrodites) can be very unpredictable. But being nocturnal it is very easily sighted at a distance by glowing eyes and one get enough time to slow down to avoid it. And finally do not forget the horn. It works wonders on animals. Also keeping your eyes on the road at all times will go a long way in reducing animal kills on the roads.

I personally feel it is a matter of being sensitive towards these creatures which will automatically put brakes on our wheels

December 27, 2010

The DEVIL TREE & CITIZEN SCIENCE

Travelling back home after work these days has become much more pleasant. The lime like heady scent of the Saton (Alstonia scholaris) fills the air at dusk. The flowers bloom at dusk in bunches and one can see carpets of flowers on beaten tracks and tar roads wherever the tree flowers. Flowering in sync almost throughout the state, one can virtually count the number of trees from the fragrance that fills the air, if one is on a long distance drive. The flowering of the tree also heralds the arrival of the winter. It flowers twice during this time.

Wonder why a tree as graceful and elegant as the Alstonia scholaris is called the Devil Tree. The local name Saton, probably a reference to the leaves which appear in whorls of around 7, is an apt term.

The flowering at dusk is by no means an accident. The scent is meant to attract insects which pollinate the plant. This very scent informed me last year that the trees along the NH-17, on my way home, flowered in the month of November & later in January. This year they flowered in October and now again during Christmas. Does the early flowering this year indicate a change due to the prolonged monsoons? Do we know how these plants behave in the face of eminent climatic change? Do we know how many of these trees are actually present in the first place? Maybe a little bit of citizen science can help us in collecting this ecological information.

I have already begun. You can too

December 10, 2010

1st Goa Arts + Literary Festival !!!

The International Centre Goa, Dona Paula- Goa
December 12th – 14th, 2010

Sunday, December 12th, 2010

10:00 am
Inaugural session with U R Ananthamurthy

11:30 am
Goa Writers Showcase: Celebrating 100 years of Bakibab Borkar
Hosted by Dr. Kiran Budkuley

2:00 pm
Panel Discussion: Independent Publishing in the Internet Age
Urvashi Butalia [Zubaan], Frederick Noronha [Goa 1556] and Leonard Fernandes [Cinammon Teal]

3:30 pm
Goa Artist Showcase: Pioneering Land Installation Art in India
A presentation by Subodh Kerkar

4:30 pm
Abbe Faria and Hypnotism in India
(Including live demonstration of Hypnotism)
Lee Siegel

5:30 pm
Who is the Outsider?
U R Ananthamurthy in conversation with Damodar Mauzo
Hosted by Jose Lourenco

6:30 pm
North East Showcase
Kynpham Sing Nongkynrih in conversation with Jerry Pinto

7:30 pm
Book release: The Avenue of Kings by Sudeep Chakravarti
In conversation with Aniruddha Bahal

Followed by Concert from Heritage Jazz

Monday, 13th December 2010

10:00
Goa Artist Showcase: Where Photography Goes Next
Alex Fernandes, P. Madhavan and Edson Dias
In conversation with Georgina Maddox

11:00 am
Goa Writers Showcase: Konkani Katha – is it Mature?
Damodar Mauzo, Pundalik Naik, Mahableshwar Sail and others

12:30 pm
Panel Discussion: Is this a Golden Age for Regional Literature?
U. R. Ananthamurthy, Mridula Garg and Kynpham Sing Nongkynrih
Hosted by Jose Lourenco

2:30
Panel Discussion: Media Ethics post-Radia Tapes (co-hosted by GUJ)
Dilip D’Souza, Aniruddha Bahal, Sandesh Prabhudesai, Prakash Kamat & others
Hosted by Ashley do Rozario

4:00
Poetry Reading: Co-hosted by Alliance Française, CLP Instituto Camões
Poems by Manohar Rai Sardessai, Paulino Dias, Fernando Leal, Carlos Eugenio Ferreira, Leopold Sedar Senghor
Readers: Dr Anuradha Wagle, Dr Edith Furtado, Joanne De Cunha, Claire Chaize, Priya Tadkodkar, Natacha Gomes

5:00 pm
Outside/In: A Life in Photography
Pablo Bartholemew in conversation with Georgina Maddox
Hosted by Goa Centre for Alternate Photography

6:30 pm
Readings:
Samanth Subramanian [Following Fish] (winner of 2010 Shakti Bhatt First Book Award), with Dilip D’Souza [Roadrunner]

7:30 pm
Book Release: Leela: A Patchwork Life by Jerry Pinto
In conversation with Rahul Srivastava

8:00 pm  Concert by C-TAG String Quartet

Tuesday, 14th December 2010

10:00
North East Showcase
Manikuntala Bhattacharya in conversation with Savia Viegas

11:00 am
Goa Writers Showcase: Konkani and Marathi Poetry
Hosted by Vishnu Surya Wagh

2:00 pm
A Critic’s Eye: Richard Bartholemew
Pablo Bartholemew in conversation with Roselyn D’Mello

3:00 pm
Book Release: Personal Effects by Manohar Shetty
In conversation with Jerry Pinto

4:00 pm
Creativity versus Commerce
Venita Coelho in conversation with Saeed Mirza

5:00 pm
Goa Art Showcase: Tradition of Goan Gold Jewellery
A presentation by Wendell Rodricks
Introduced by Jose Lourenco

6:00 pm
Beyond the Singer-Songwriter: A Pioneer’s Journey
Remo Fernandes in conversation with Samanth Subramanian

7:30 pm
Book release: A Place in the Shade by Charles Correa
With Padma Bhushan Maria Aurora Couto

And

Panel Discussion: Goa in the 21st Century
Charles Correa, Dr. Oscar Rebello, Rahul Deshpande, Edgar Ribeiro and Sanjit Rodrigues

Followed by an open-air concert by Sonia Sirsat

November 8, 2010

Bear With Us!

Dear friends,

Thank you for making tambdimati: the Goa review a runaway success.

Though we are still in development – you are viewing a Beta version of the site – all of us have been deeply gratified and encouraged by your support. Our brand-new website has averaged just under 10 posts, and almost 1000 unique visitors per day over the past fortnight. Those are unprecedented numbers for our kind of venture, in our part of the world. And we look forward to much, much more.

However, consistent problems with the navigation and commenting systems, as well as the Diwali holidays (which have taken several of us out of Goa and away from regular access to the Internet) have led us to a decision to slow down our pace considerably for the next two weeks in order to give our overworked site developer and all-volunteer content team some breathing space.

You can expect a much-improved site and service from the last week of November. Please bear with us until then.

November 7, 2010

Life Is a Process of Studying New Things…

Sonia Faleiro is busy autographing her new book titled, ‘Beautiful Thing: Inside the Secret World of Bombay’s Dance Bars’.

She is all excited about her new book as it is not only her first non-fiction work but also a product born out of five year’s of research.

While speaking about the book she confesses that it was the journalist within her that made this book possible. “I thought of writing on bar girls when the Maharashtra government banned around 1500 bars. The result was that 75,000 bar dancers were left unemployed. In those days I used to work for the Tehelka magazine in Mumbai” states Sonia who believes this ban was uncalled for, under the name of morality.

Sonia’s book is a narrative non-fiction about a charismatic bar dancer named Leela and many like her. Sonia spent three years visiting these places and two years writing about them. She confirmed that by banning these bars the state government took away the economic freedom and safety of these bar dancers.

She also confirmed that the main and primary source of income for these bar dancers was dancing. “I observed at these dance bars the guys were not allowed to talk or interact with these dancers. These young girls, dressed like Bollywood stars, only danced. If any of them worked as sex workers, it was out of their own choice. The percentage of dance bar girls working as sex workers was small,” confirms Sonia.

When asked whether it was difficult for her to interact with these girls, Sonia explains that they accepted her quite easily – “They were aware that I was writing about them. But, they still allowed me into their world because I am non-judgmental, honest.”

Sonia also had to maintain balance as she made a point without getting carried away. “Yes, I had to maintain that balance as sometimes I used to feel helpless and couldn’t change anything. But, then it is a common problem journalists’ face. There is a huge gap between our lives and that of the people we interact with or interview,” laments Sonia who has fulfilled her role and now also hopes that her writing will help bridge this gap.

Read the rest of this article at NT.

How Chinese Fireworks Reached Goa: Dr. Nandkumar Kamat

The whole week of Divali sees dazzling fireworks displays. Children just can’t wait to use crackers, fountains, rockets or bombs. All over Goa, various items of fireworks are collectively known by the Portuguese word – ‘fog’ from the Portuguese word ‘fogos’.

Fireworks were a gift from the Chinese to Goa. There is a little-understood Chinese and Arab connection behind it.

Fireworks did not reach Goa from British India or Europe. The Portuguese who introduced western warcraft, guns and cannons in India called the fireworks – “fogos de artificio”. It was only after they had contacts with mainland China and Japan that the Portuguese also learnt about Chinese pyrotechnology.

Then their colony at Macao became an important trade centre which exported various goods to Goa including novelties from mainland China.

The traditional Goan pyrotechnicians are known as Fogeris – who manufactured “fogo de artificio” for rituals and festivals. Only a few families of Fogeris are now left in Goa. Fireworks are based on self igniting, self sustaining production of fire – the pyrotechnological principles.

Continue reading →

November 6, 2010

Francis Newton Souza: Still Life

Francis Newton Souza: Still Life

1967. Oil on board, 12 x 18 inches.

On display at Goa State Museum, Patto

Dr. Teotonio De Souza: Fresh Inventors Will Replace Old Inventors

In a previous column, I included a brief reference to a book recently published in Portugal by a researcher of Goan origin, Angela Barreto Xavier, with a provocative argument in which she presented the present-day Goa as invented by the Portuguese with local collaboration across centuries.

One great virtue of the Goans seems to be that they are always open to collaborate, be it with God or with the Devil, or probably even without caring to know who seeks their collaboration.

This could provide some food for thought, even if that may not radically change our  Goan style of functioning.

Goans will continue to be divided over who is a Goan. The identity issue is the root-cause of the tragedies that permitted many newcomers to `invent’ Goa all along its distant and recent past.

One guarantee the Goans can always have is that fresh inventors will arrive to replace the older ones. Far from looking at it as any black humour, Goa has its progress assured, without having to worry much about it. Konn tori ietolo ani amcho fuddar poitolo.

Be that as it may, if we are to believe some authoritative historians, Afonso de Albuquerque first arrived in the Indian Ocean, or rather approached the coast of Kan´nur (Cananore) on 11 September 1503. The first expedition returned to Portugal early next year with some spice cargo.

Albuquerque had to wait for some more years and play subordinate roles under Tristão da Cunha and Francisco de Almeida. Prior to taking Goa, Albuquerque had shown his mettle by subjecting Oman to iron blade and blood bath. The Mosque of Muscat had been attacked. Ormuz was not yet conquered, but had a taste of what was to come.

Albuquerque described his success in the Gulf to the then viceroy of India as a `divine miracle’. He sent some veiled captive women to Portugal. The operation was concluded again on 11 September 1507, but not without experiencing unpleasant disobedience of some of his captains who were angered by Albuquerque’s style of rigid command.

Continue reading →

Horn Not Ok Please: What’s All the Noise About?

In January this year, a press note was released by the Ministry of Environment and Forests, announcing an amendment to the Noise Pollution (Regulation and Control) Rules 2000, which should come as sweet music to many ears.

For the first time, noise level in India’s cities will be monitored by a national tracking agency. By year-end, monitoring stations will have been set up in seven cities: Delhi, Mumbai, Kolkata, Chennai , Hyderabad , Bangalore and Lucknow. Over the next two years, 18 other cities, mainly state capitals, will follow suit.

So what exactly is all the fuss about? How do we define noise in the first place?

It has been defined by experts as as “acoustic signals which can negatively affect the physiological or psychological well-being of an individual.” (Handbook of Hearing and the Effects of Noise, K.D. Kryter, New York Academic Press)

In simple language, noise is unwanted sound.

Continue reading →

A Creatively Fulfilling Life Awaits You in Goa (if You Want It)

Along with hordes of tourists, whackos and weirdos, Goa seems to attract more than its fair share of creative people.

They come from around the world and are thick on the ground. Between my village and the next, if you chuck a stone, you are likely to hit a Booker nominee, another writer who is a Padma Shri, two published novelists, a published poet, a respected abstract artist, an innovative industrial designer, several columnists, a studio potter, many architects —and possibly Amitabh Bachchan, who recently bought a house here.

I moved to Goa with the firm resolve of writing the Great Indian Novel.

That continues to be a work-in-progress, but the writing has just got better over the years. As many creative people from around the world are discovering, Goa makes the perfect setting for creativity.

Stuck for an idea, I take long meandering walks by the river, with gulmohar flowers turning the path red in the summer, and loads of little frogs keeping me company in the monsoon. You can rest your eyes on a hundred shades of green in the paddy fields, or turn them to where smoke rises from evening fires and shrouds the trees. There is always the beach to lie on and think up stories in the sun.

During the many hectic years I spent in Mumbai, I rarely, if ever, knew when there was a full moon. Urbanites don’t raise their eyes to the sky too often. And if they do, they don’t see stars but the orange haze that hangs over big cities.

But in Goa everyone knows when a full moon is around the corner. The dogs howl all night.The cats stay out late. The crickets yell their heads off. Even the crabs grow fat. And writers find themselves sitting late at their computers madly trying to get down all that their frenzied brain is seething with.

I understood the link between the moon and creativity only when it was demonstrated for me cycle after cycle. Now I fit the full moon into my writing schedule.

Having chucked it all to become a hermit in Goa, you find that you are actually at a great creative intersection. This came home to me when I found myself at a dinner with Amitav Ghosh, Orhan Pamuk, Kiran Desai, Maria Aurora Couto, Mario Miranda and half the writers in town.

Two Booker-nominated novels were written in Goa (Ghosh’s Sea of Poppies and Damon Galgut’s The Good Doctor). I wouldn’t be surprised if more were in progress right now. A very supportive community exists and there are regular meetings, interactions and discussions.

This community draws on an established and vibrant tradition of literature.

The first printing press in Asia was set up here by the Portuguese. Goan literature spans 13 languages. The main language, Konkani, has four different scripts, and Goan writers are known for their contribution to Portuguese literature.

For such a tiny state, the literary output is tremendous. Now the Goan writer finds himself having genial discussions about the art of writing with counterparts from around the world. Over a measure of feni, of course.

Read the entire article here.