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October 10, 2010

Back to the Village: Is It Global or Local?

This afternoon I was leafing through a sheaf of short stories on Goa by J. P. D’Souza.

The story I chose to read was ‘Back to the Village.’  In it,  Jacob D’Costa, unhappy with his life in Bombay, decides to follow his instincts and heads to his village in Goa – we are not told which – with his 4 children in tow.

After vivid descriptions of village life, the story lurches to its inconclusive end with Jacob in  between two worlds – his imagined world in Goa, and the world of Bombay, where 2 of his elder children want to head to for further studies.

I myself have always transited beteween Goa and Delhi – sometimes even on weekends. In this dual existence I retain some of the sanity I seek in life.

The Smell of Burnt Leaves
-Brian Mendonca

From Santacruz to Matunga the time is about the same
‘Haywire’ Agnihotri steers 255 to Goa
Divya Sandilya serves up the cookies
At 30,000 feet Icarus confers with Ra
Souza meets Souza, the river flows between
From a duck to a dragon, then a royal steed
A field of giant cauliflowers sprouts up in the sky
A little dog running, I can hear the yelps
In the prism of time, space is an illusion
Vasco to Mapusa, Delhi to Goa
A fishnet beckons, poetry by candlelight
School buddies connect 26 years on
The Green house goalie with wife and 2 kids
In the blinding rain, is the sound of the monsoon
Life becomes clearer on a Saligao road
16 A for a seat with a view
The sun sets on your left, ‘Take him safely back to base’
Newton and Nanz sing at the top of the stairs
Beside the hush of the sea, nothing else matters.

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November 2, 2010

Books Are Not for Banning

IF the dabbawalla of Mumbai knew such a furore was being created over him – that too via a writer sitting in Canada – he perhaps could be justifiably proud about himself in these times.

But my guess is he doesn’t know. Or more correctly, doesn’t care. He goes about his business bringing food to the hungry office-goers at lunch time, satisfied he has served his fellow human beings and earned his just wage.

Aditya Thackeray nudging the VC of Mumbai University to ban Rohinton Mistry’s book Such a Long Journey for perceived aspersions against Maharashtrians more than a decade after it was written in (1991) is comic if not ludicrous.

I am sure his culture department could have found worthier and more contemporary books to fit the bill. He would be the darling of the publisher of the book – because at least then people would read it.

When OUP published James Laine’s book on Shivaji it raised the hackles of the SS of Mumbai. They dutifully set about doing what they do best, viz. burning copies of the aforesaid book. The situation, I overheard, was redeemed by the wryness of a marketing director who is believed to have opined, “Ask them how many they want to burn, we will supply directly.”

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October 5, 2010

Introducing Brian: Samarachi Kodi and a Place to Call Home

Delving into a delicious samarachi kodi just now, made from an old recipe from the kitchens of the South, we were wondering what we were still doing in Delhi.

Really. 10 years plus had seen me having a capital time here. But now, coasting on wedded bliss and a promise on the way, we had begun thinking it was time to return to our roots.

The moment between my two volumes of poems still remains to be negotiated, but it is comforting to know that the dialogue is on.

I started writing poetry around 20 years back. Last Bus to Vasco: Poems from Goa (2006) has melded into A Peace of India: Poems in Transit (forthcoming).

A wider canvas you might say, but it has only served to point out that for me there is no place like Goa.

We live in a virtual community and a virtual world, so why bother about locus?

It’s a question worth pondering. Perhaps because you are always trying to answer the 3 questions of life: Who am I?; Where am I going?; What am I looking for in life?

Maybe I could answer these questions with more honesty in the ripening years of my life.

A line in one of my poems reads, ‘It’s more important to know where you are going / than where you are coming from.’

I guess if you are on the road, you are going to find out soon enough.

October 20, 2010

The Coconut and the Sea-Shell – c.f. D’costa

Weariness / Ashechi Khoros
Translated from the Konkani by Manohar Rai Sar Dessai*

I longed so much to read the poem in the book,
And the book was in the cupboard.
The lonely white ants read it through and through
But alas, I was too weary.
I longed so much to wear the chikoli flower,
The chikoli flower on the branch.
The neighbour’s daughter plucked it and wore it
But alas, I was too weary.
I longed so much to embrace the damsel,
Decked in silk and ribbons
Her husband embraced her
But alas, I was too weary.
I longed so much to float on the waves,
The waves in the dark blue lake,
The coconuts easily floated on them
But alas, I was too weary.
I longed so much to collect the seashells,
The shells on the deserted shore.
Sea urchins collected them,
But alas, I was too weary.
I longed so much to count the stars,
The stars in the darkened sky.
The vagabond counted them with ease,
But alas, I was too weary.
How much I longed to understand,
The mysteries of life, and its complicated problems,
The weak and the stupid could easily understand them
But alas, I was too weary.

SOURCE: Indian Literature: Sahitya Akademi’s Literary Bi-monthly. No. 138. Vol. 33.4. July-August 1990. Sahitya Akademi, New Delhi.

*I have substituted the line ‘but woe to me, mine was the fatigue’ in Sar Dessai’s version with ‘But alas, I was too weary.’ I have also preferred the title ‘Weariness’ to ‘Fatigue.’

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These strange sad lines, so simple, yet profound seem to sum up life’s existence. Hazaron Khwa-hi-shein there may be, but no one has put it so succinctly.

C.F.D’Costa, ‘poet, dramatist, journalist, printer’ from Mangalore was more accepted in Goa. His collection of 51 poems in Sonshyache Kan [Rabbit’s Ears] (Jaag Prakashan, 1988) spans the years between 1960-90. He passed away c1995.